![]() Should you begin with the wide shot? Or reveal that after the shock of the extreme close-up? Index-carding helps you organize your thoughts. Just like the old time index cards you used to arrange your thoughts for that dreaded speech on Ponce de Len in your history class, you can make notes for each scene, and rearrange them to your heart’s content. An Index Card feature is a nice thing to have. Most of these programs have more than just “write a script here” or “draw a picture there” abilities. Regardless of whether you’re seeking scriptwriting software, storyboarding software or both, there are a few things to look for. These time saving gems offer much more than drawing assistance to the doodle impaired, we’re talking, intricate drawing tools, character and scene memorization, and templates galore for every use from stage to screenplay to television and simple projects. Today’s producers enjoy stream-lined workflows with software that caters to every task from scheduling to distribution. Gone are the days of scripts from Microsoft Word and hand-drawn storyboards. ![]() Or, if we were desperate, we’d hand-draw stick-figures and hope they’d work. So, in the past, if we wanted good storyboards, we had to hire someone to draw them. Most of the readers of Videomaker are Lone Wolf producers, not drawing artists drawing isn’t exactly our forte. Many of those hand-drawn storyboards are incredible works of art and some are even collector’s items. Scriptwriting was a true blood, sweat and tears artform, and once the scriptwriters’ job was done, the story would be given to a storyboard artist who would hand-draw visual representations drawn frame-by-frame of how the writer or producer envisioned the finished movie to be. (But unfortunately, they might have been given blame for its failure.) Many scriptwriters worked long hours into the night hacking their stories, and were often rarely acknowledged for the final film’s success. When the IBM Selectric Composers came along, scripts were processed faster – the scriptwriter didn’t have to slow down to fix errors for the carbon copy, but they still lacked the instant rearranging that we can all do now with word processors. The use of carbon paper necessitated perfect typing skills and a scriptwriter’s job was both artistic and manual. Kinda cool.In the early days of movie and television production, a producer would come up with an idea and give it to a scriptwriter who would bang out the story on an old Smith Corona or Underwood typewriter. This is his book with embedded videos in the chapters. ![]() I mentioned Clip Studio, Rough Animator, Animation HD, Animation Ultimate, FlipaClip, FlipPad and Stick Nodes and Stick Nodes Pro.įYI there is also an app for Richard Williams Animators Survival Kit. There are a few more for those interested. It only supports traditional animation but nothing wrong with that. The author kept the interface simple and I like that. Actually I kind of like it for quick sketch ups and practice work. The Moho team is stretched so thin I don’t think we will see that on an iPad anytime soon either. ![]() At that point I think you will see a lot of apps bridge between the two platforms but even then I think there will be more going from iOS to Mac’s not the other way around. Apple changed the CPU on Mac’s twice before so it’s not like they don’t know how to do it. Give Apple a few years and it won’t surprise me to see say an A15 or AXX core CPU in the Mac lineup instead of Intel. iOS is an ARM architecture where MacOS is Intel as is Windows. iOS is a very different beast from MacOS. Besides Harmony I use Moho and it would be cool to see that on an iPad and Harmony but I’m not holding my breath. They want 8/month or 72/year for the unlocked version. I have the free version on mine for the moment.
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